Urte Helduser

since 5/2015: Assistant Professor (Akademische Oberrätin auf Zeit) University of Cologne, Institut für Deutsche Sprache und Literatur

10/2019-3/2020 Interim Professor W3-Professur für Neuere deutsche Literatur, Philipps-Universität Marburg

10/2016–3/2018 Interim Professor W3-Professur für Deutsche Literatur mit dem Schwerpunkt Kultur- und Wissensgeschichte an der Leibniz-Universität Hannover

8/2015 Visiting Fellow, University of Vienna, German Department

2/2014 Habilitation Philipps-Universität Marburg

7-10/2008 Research Grant Herzog-August-Bibliothek Wolfenbüttel

3/2006 Visiting Fellow, Institute for Human Sciences (IWM), Vienna

8/2002-7/2014 Assistant Professor (Akademische Rätin auf Zeit) Philipps-Universität Marburg, Institut für Neuere deutsche Literatur

My Research

The main research object of my presentation is the Viennese Arbeiter-Zeitung and its feuilleton within the interwar period (1918-1934). The Arbeiter-Zeitung is initially the party organ of Austrian Social Democracy. In the interwar period, the AZ develops into the most important Austrian daily newspaper. Its Feuilleton enjoys a growing reputation in the German-language newspaper scene, even beyond Austria. The presentation will focus on articles and essays as well as serial novels published in the AZ that explore the Viennese and Berlin newspaper and feuilleton culture. Other daily newspapers are examined comparatively: The Viennese Neue Freie Presse and the Frankfurter Zeitung.

Abstract

Competition and Transfer in the Feuilleton of the Interwar Period: The Viennese Arbeiter-Zeitung between Vienna and Berlin

In 1923 Joseph Roth published his first novel Das Spinnennetz in the Viennese Arbeiter-Zeitung. The novel is regarded as an example of the rising importance of this newspaper in the German speaking feuilleton after World War I. The setting of Roth’s novel is not Vienna, but Berlin, the city considered the literary and journalistic center of the Weimar period. It is also the city the Viennese author Roth moves to in 1923 to continue his career as writer and journalist. Roth became known primarily for his novels and his Berlin feuilleton for the Frankfurter Zeitung. Roth’s career may describe the triangle Vienna/Berlin/Frankfurt as competing centers of newspaper feuilletons of the interwar period. The presentation will trace these relationships, with a focus on the Viennese Arbeiter-Zeitung (AZ). The rise of the AZ’s literary feuilleton will be examined in distinction to the competing bourgeois feuilleton of the Wiener Neue Freie Presse and the Frankfurter Zeitung on the one hand, and in relation to the literary center of Berlin on the other. From 1919 until its prohibition in 1934, the AZ developed a highly regarded literary feuilleton characterized by innovative formats and a programmatic orientation toward European and American modernism as well as a new realism. With its strategic orientation, the AZ set itself apart from its bourgeois rival, the Neue Freie Presse, whose feuilleton was anchored above all in the newspaper culture of Viennese modernism around 1900. At the same time, the AZ operates in a network with Berlin’s publishing and newspaper culture. The presentation will analyze the programmatic orientation and strategic development of AZ feuilleton with regard to these transfer relations.

Recent Publications

U.H.: »in jeder Lieferung ein Raubmord oder eine Brandstiftung oder eine Hinrichtung oder eine Kindesunterschiebung«. Kriminalität in der Wiener Arbeiter-Zeitung (1919-1934). In: Verbrechen als »Bild der Zeit«. Kriminalitätsdiskurse der Weimarer Republik in Literatur, Film und Publizistik, ed. Susanne Düwell /Christof Hamann. Stuttgart 2021 (in print)

U.H.: Miszellaneität als Erzählverfahren. Veza Canettis Fortsetzungserzählungen in der Wiener Arbeiter-Zeitung. In: Miszellanes Lesen – Miszellanes Lesen. Reading Miscellanies – Miscellaneous Readings, ed. Nicolas Pethes/Daniela Gretz /Marcus Krause. Hannover: 2020 (in print)

U.H.: Geschlechterprogramme. Konzepte der literarischen Moderne um 1900. Köln/Weimar 2005

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